My practice engages with identity, displacement, and the shifting conditions of belonging within a multicultural world. Working across painting, wood-burning, and installation, I explore the tension between surface and structure, image and perception. By combining painterly and sculptural processes, my works often require shifting viewpoints, drawing from anamorphic principles to reveal layered and unstable realities.

My current project, Third Space, reflects on the "in-between" condition of immigrant experience: the coexistence of multiple cultural and psychological worlds within a single body.

Drawing on the myth of Trishanku as a metaphor of suspension between two realms, the work examines the complexities of belonging, exclusion, and identity formation. It further extends into reflections on human migration and DNA, linking individual experience to shared global histories of movement and origin.

My practice positions art as a critical space that questions fixed ideas of identity, history, and progress.